12/24/2022 0 Comments Analog efex pro velvia![]() ![]() ![]() “Coming from a film background, I’m reasonably used to pushing and pulling film as needed. Sometimes the sunlight is so strong that everything gets blown out and the next day the same recipe will make everything look murky and dull.” After diving deep into the Fujifilm film simulations, I’ve come to realize that you cannot create a single recipe that will always look great. They look great and I get more jobs just because I can deliver good results fast. Since getting a Fujifilm X-T3 (and later an X-Pro3), I’ve come to rely totally on the straight-out-of-camera JPEGs. I’ll let Anders explain this new approach below as he described it to me. I was immediately intrigued, and I was not disappointed as I read his message. Anders created the Kodak Tri-X 400 film simulation recipe, which is my personal favorite for black-and-white photography. I received an email the other day from Anders Lindborg with this subject title: A Different Approach. Pink Paper Blossom – Farmington, UT – Fujifilm X-T30 – “Fujicolor Pro 160NS Pulled +2” Thank you, Anders, for creating these recipes and allowing me to share them! Anders created this recipe by modifying his Pro 160NS settings I made a couple of small modifications to it, but mostly these settings are created by him. A lot of people like to overexpose real 400H film to get a pastel look unfortunately, this recipe won’t achieve that particular aesthetic (but look here and here). This recipe wasn’t intended to mimic Fujicolor Pro 400H film, but it does resemble it fairly well. ![]() For Pushed +3 and Pushed +4, feel free to try Grain Strong. If you have an X-Trans III camera, ignore Color Chrome Effect the results will be slightly different, but it will still produce good results. If you have a newer X-Trans IV camera (X-Pro3, X100V, X-T4, X-S10 and X-E4), Anders recommends setting Clarity to -3 and Grain to Weak & Large. These seven Fujicolor Pro 400H recipes are compatible with the Fujifilm X-T3 and X-T30 cameras. Like the 160NS recipe, I’m only including the “Box Speed” version in the Fuji X Weekly app, and I encourage you to use the Notes section under the recipe to store the pushed and pulled variations. Also, by design these recipes will work with any film simulation, even though they call for PRO Neg. ![]() You can use all seven Custom Presets in the Q Menu to save each of these recipes if you want, or just save the base recipe (called “Box Speed”) and adjust to the various variations on-the-fly, or save the base setting and have the variations programmed into X RAW Studio. Anders’ approach is to have a good base recipe that works well in most circumstances, but also have subtle variations of that recipe, that mimic pushed and pulled film, for when the conditions require either less contrast (pulled) or more contrast (pushed). If you don’t want to take the time to read it (or if you’ve already forgotten), here’s a quick summery. Below you’ll find another seven recipes, this time for Fujicolor Pro 400H! If you haven’t read the first post, you’ll want to do that now, because this will make a lot more sense if you have that prerequisite understanding. In my last post, entitled A Different Approach, I shared Anders Lindborg‘s new take on film simulation recipes, which included seven different Fujicolor Pro 160NS recipes that he invented. Pink Roses – Farmington, UT – Fujifilm X-T30 – “Fujicolor Pro 400H Box Speed” ![]()
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